Diamond in the Dirt is the second extended play (EP) by English rapper Mist. It was released on May 4, 2018 through Warner Bros. Records and Sickmade Ent. It marks Mist's second full length project following his debut EP M I S to the T in September 2016. It features production from frequent collaborator Steel Banglez, and guest appearances from Nines, Not3s, Jessie Ware and Mostack, among others.
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Dirt is the second studio album by the American rock band Alice in Chains, released on September 29, 1992, through Columbia Records. Peaking at No. 6 on the Billboard 200 chart, the album was also well received by music critics. It has since been certified four-times platinum by the RIAA and gone on to sell five million copies worldwide, making Dirt the band's highest selling album to date
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Diamond in the Dirt, the punk/grunge band from Hertfordshire announce the release of their highly anticipated debut EP "Hopeless" With influences from "Pulled apart by Horses", "Suicidal Tendencies", "Nirvana","Frank carter" and "CKY" this local punk band is always turning heads. Formed in Early-2015, a Youth Worker and Gas Engineer 2-piece had plans to expand. Taking on a bassist and lead guitarist over a couple beers, this combo made a big impact selling out their first show in September
Dirt Diamond, a progressive expression of synthesised, electronic sound. Currently working on new material having just completed the album 'Debut', released through Edinburgh based Alex Tronic Records. A perfect dose of floaty cosmic soul. 15 tracks, mostly vocal, for fans of laid back, deep and dreamy modern R&B. Bandcamp New & Notable Feb 24, 2014. Brazilian Vibes by Richard Houghten. featured on Bandcamp Weekly Nov 6, 2018. featured on Bandcamp Weekly Feb 26, 2019.
Not every song on Dirt is explicitly about heroin, but Jerry Cantrell's solo-written contributions (nearly half the album) effectively maintain the thematic coherence - nearly every song is imbued with the morbidity, self-disgust, and/or resignation of a self-aware yet powerless addict. Cantrell's technically limited but inventive guitar work is by turns explosive, textured, and queasily disorienting, keeping the listener off balance with atonal riffs and off-kilter time signatures.